Entwined

Pteridomania was the name coined by Charles Kingsley for the British fern fever of the nineteenth century. Unlike orchidelirium, fern fever was a pursuit embraced by all classes, open to anyone “possessing good taste”, as declared by Edward Newman in A history of British ferns. This fever spread to the colonies, with Australian ferns presenting exciting new opportunities for collection and decoration.

Gardening provides many opportunities for early literacy as you get your hands dirty together.

Much of Australia’s flora has been isolated since the break-up of Gondwana, but hugging our northern coastlines are another class of plants. They seem to look outwards towards the Pacific and Asia, rather than inwards to a continent isolated since the time of the dinosaurs. Coastal First Nations people used them in multiple ways; for food and decoration and as a source of wood. The leaves of the Barringtonia species were used to poison fish.

One of the most enduring plant obsessions is orchidelirium, or the mania for orchids. This obsession has resulted in theft, death, and environmental destruction, including the apparent extinction in the wild of some species. On the flip side, it has also motivated advances in horticultural techniques and increased scientific understanding of the relationships between fungi and plants.

One of the most complex and beautiful examples of Aboriginal and Torres Strait Islander technology is basket-weaving—the myriad of local forms reflecting the diverse country of the people who make them. Different plant fibres are used across Queensland. Plants such as lomandra species (wetland grasses), lawyer cane (a spiky vine known as “wait-a-while" for its tenacious grip on unsuspecting passers-by), pandanus and black palm have all been well-documented as basket material. The elegant engineering of the “two horned” baskets of North Queensland embodies the flexibility and strength of lawyer vine, along with the ancestral knowledge of the rainforest people who make them. These are practical tools with great beauty and cultural power. Each basket takes 4-5 weeks to make and can last around 3 years, used every day in the rainforest. Bicornual baskets are designed to sit in running water, to leach toxins from seeds that would otherwise be poisonous. These utilitarian and beautiful baskets allowed a wider range of foods to be eaten. During the 2009 Laura Aboriginal Dance Festival, a group of weavers from Erub, Torres Strait and Hope Vale, Cape York ran a weaving workshop together. This exchange of technique and culture can be seen in the Weaving Exchange: Erub Island and Hopevale 2009 video below. http://onesearch.slq.qld.gov.au/permalink/f/1oppkg1/slq_alma21205554910002061 Abe Muriata, a Girramay man of the Cardwell region in North Queensland, is one of few men weaving jawun. He describes himself as self-taught: he watched his grandmother weave jawun but was not taught by her. Abe experiments with technique and media, creating traditional baskets and also reinterpreting traditional techniques for modern materials. Rhonda Brim, a Djabugay Elder, weaves bicornual baskets with lawyer cane, and dilly bags with lomandra (a wetland species) or black palm. When she was in her twenties one of her grandmothers, Wilma Walker, shared the cultural knowledge and techniques. Determined to keep culture alive, she teaches the younger generations, carrying on the long basket-making tradition. Fine examples of weaving and the weavers who make them are featured in both the Entwined: plants and people exhibition and Kindred Spirits: plants and people publication. Kindred Spirits: plants and people is available to purchase from the Library Book Shop. With text by Shannon Brett, featuring images from State Library’s collection and more, it explores the ancient and ongoing connection between First Nations people and plants in Queensland. This publication was developed in response to the Entwined: plants and people exhibition which is open now and runs until November 14, 2021.

This distinctive plant genus is found only in Australia, and different species occur in all states and territories. A living fossil, it was one of the first flowering plants to evolve. Like eucalypts, it has adapted to bushfire, which plays an important role in its lifecycle by triggering flowering.

Explore collections documenting the natural beauty of the Queensland landscape and the collections that expose the nature of its fury, testing human endeavour, response and recovery.

Deadly Threads is a showcase of singlets, shirts, polos and jerseys created by Aboriginal and Torres Strait Islander peoples from across Queensland.

An online photography exhibition reflecting on the last 20 years in Queensland.