Guest blogger: Elisabeth Gondwe and Tegan Burns - North Stradbroke Island Museum on Minjerribah
Getting Equal is an exhibition that shares the story of the 'Aboriginal Gang' of the Dunwich Benevolent Asylum and their fight for equal wages. In 1944, after a 25 year campaign, Aboriginal workers at the Asylum gained equal wages almost 20 years before anywhere else in Australia. The Asylum closed shortly after with the Aboriginal Gang only getting equal wages for one and a half years. The major parts of the campaign were organised and run on the island by the Gang members. It deserves to be much better known.
The Dunwich Benevolent Asylum was established in 1865 as a public institution for the poor and needy. It served the whole of Queensland until it closed in 1946. 21,000 inmates were brought to the Asylum over its life. At peak there were 1,200 inmates – three-quarters were men and mostly aged.
The Asylum became dependent on Aboriginal workers especially for heavy and outdoor work and unloading the supply boat. They became known as the Aboriginal Gang. Other Aboriginal men and women were employed in the wards and in domestic work and some as trades workers and boat crew.
Although the Asylum would not have functioned without the Aboriginal workforce, only those Aboriginal people employed as government staff enjoyed the same pay and conditions as the white workers. The Aboriginal Gang were paid a mixture of rations and money and often some of the money was paid into bank accounts supposedly on their behalf. They were very aware of the lack of equality.
With the start of the arbitration system in 1915, the Aboriginal Gang were paid much less than Basic Wage and industry awards.
The Gang campaigned for higher wages and to be paid in money. The campaign included a strike in 1918 which was probably one of the first by Aboriginal workers anywhere in Australia.
The campaign continued with petitions and deputations to Government Ministers. The Aboriginal workers ran the campaign with some help from the Australian Workers Union. Actions included:
- A strike on the wharf in 1918 and petition to the Superintendent for higher wages
- Leading Queensland-wide protests in 1921 about wage deductions to the Aborigines Property Protection Account.
- Joining Australian Workers Union (AWU) and seeking union action especially in 1926
- Deputation in 1933 to Minister Hanlon about being paid entirely in cash
- 1936 demand for 1 week’s paid annual holiday
- 1937 petition about Banking Sheet and being forced to allow employer to make deductions from wages
- 1938 deputation to Minister Hanlon
- 1938 joined Aborigines Progressive Association
- 1942 agitation for increased wages
- 1944 letter and petition and delegation to Minister
In 1944, the Government agreed to pay Aboriginal workers at the Dunwich Asylum award rates. A formal award covering them was made in 1945.
Getting equal wages in 1944 was a major achievement and of national significance. It seems to have been an Australian first.
The Getting Equal exhibition includes a film which includes interviews with family members of those who struggled for fairness in the 1920-1940s. It also documents the work done by Aboriginal people, how and where they and their families lived. This includes telling some of the stories from the One Mile settlement and the relations between Aboriginal people and the Asylum Superintendent who was the face of the State Government on the Island and served as the local ‘Protector of Aborigines’.
To assist with creating the exhibition, the museum received a Redland City Council RADF Grant for graphic design and film making. The film, Banding Together was made with descendants of the workers with assistance from local film maker Angie Simms from Stradbroke Island Photography.
The graphic design was done by Daniel Bunce and includes a map of Goompi/Dunwich showing the buildings of the Dunwich Benevolent Asylum overlaying the contemporary town. Artefacts on display include tools on loan from the family of Harold Iselin who was the plumber at the asylum. Also on display is a basket made by Granny Nuningha (Mrs Rose Martin) at the Myora Mission. It is kindly loaned to the museum by Karina Maxwell. There are many more artefacts, photographs, and documents to see. Oral Histories are a major part of the exhibition.
We really tried to let the story be told by the workers and their descendants. We wanted it to be their voices. We used quotes from the North Stradbroke Island Oral History Collection and recorded more oral histories with community members.
The exhibition is a fitting part of the museum’s Walking Together approach which celebrates at least 25,000 years of First Nations’ peoples through to the shared history after the brutal dispossession of the 1820 -30s.
Getting Equal will be on at the North Stradbroke Museum from August 2021 to September 2022. Some of the story of the wage campaign is told in the Museum’s 2019 book ‘Paltry Paradise: A History of the Dunwich Benevolent Asylum’, available from the museum. An exhibition catalogue will also be available for purchase at the Museum shop.
For further information please contact the Museum on email@example.com or 07 3409 9699. This Project is being assisted by a Regional Arts Development Fund (RADF) Grant
Elisabeth Gondwe and Tegan Burns
Related items from the John Oxley Library collection
- All items in the John Oxley Library collection about the Dunwich Benevolent Asylum.
- Digitised photographs of the Dunwich Benevolent Asylum.
- Digitised photographs of Aborigines Stradbroke Island
- Book: A paltry paradise : a history of the Dunwich Benevolent Asylum by Howard Guille. Tingalpa, QLD : Boolarong Press ; 2019
- Book: A brief introduction to the Dunwich Benevolent Asylum by North Stradbroke Island Historical Museum. Dunwich, Qld. : North Stradbroke Island Historical Museum ; 2017
- Blog: Returned Soldiers in the Dunwich Benevolent Asylum
- Blog: Historical board game based on the Dunwich Benevolent Asylum
- Blog: Dunwich Benevolent Asylum provides significant evidence of Queensland history
- The Benevolent Asylum of Dunwich digital story, 2009. Althea Vickers ; Elisabeth Gondwe; Clementine Ford. 10085 Storylines - Q150 digital stories 2009