Deepen the Conversation - Black Opium Symposium

Fiona Foley's powerful and immersive public artwork Black Opium is located on level 4 of the State Library of Queensland. Visitors to the John Oxley Library walk past the series of mysterious rooms that comprise the artwork on their way to the Oxley Reading Room and are often drawn into these spaces out of curiosity.

Chairperson of the Library Board of Queensland, Prof. Roland Sussex

After reading Rosalind Kidd's book The Way We Civilise, which exposes the truths behind the Protection of Aboriginals and Restriction of the Sale of Opium Act, 1897, Fiona was compelled to create a work that explored the history, personal stories and legacy associated with this controversial piece of legislation.

On the evening of Friday 12 February, as part of the State Library's Deepen the Conversation series, a large crowd filled the Library's auditorium 1 to listen to two sessions in which a panel of speakers discussed the historical and political context of the artwork, as well as the artistic and aesthetic qualities of the piece.

 

The speakers in session 1 were Dr Rosalind Kidd, author of The Way We Civilise, Dr Andrew Gillett, Australian Research Council Queen Elizabeth II Research Fellow at Macquarie University, and former John Oxley Library Historian in Residence, Prof. Anna Haebich from Griffith University.

 

In session 2 Fiona Foley discussed her work with art consultant and curator, Alison Kubler and freelance writer and art critic, Louise Martin-Chew.

Many thanks to the speakers and guests who gathered to discuss this inspiring and challanging artwork and to the State Library's Annie Te Whiu for organising the symposium.

A special thankyou to Fiona Foley for creating this ideally situated, beautiful work that draws attention to race relations in Queensland history and the rich historical collections of the John Oxley Library.

Simon Farley

Manager, Client Services, Heritage Collections

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A great evening of culture, education and history. Wonderful to see Fiona's fantastic work opened with such an impressive discussion of race, history and drugs. Well done to all involved!

That Fiona Foley's work takes us to places of contemplation, aesthetic appreciation and reflection is well known; her artistic achievements are made all the more remarkable because she draws on the depths of racialised oppression to create fresh air and light and spaces for rethinking. Thank you Fiona and in this case thanks too to the SLQ and AQ for backing her vision.